一直(🕕)作為米路斯.科曼(màn )劇本鐵(📒)三角(另一(yī )位是帕培錫(xī ),也(yě )是本(běn )片編劇之一)成員的(de )(🐉)艾(ài )雲.(🍖)巴薩(🏴),當然也走(😧)低(dī )度(dù )(📿)戲(🌫)劇(jù )(👋)路線。同是音樂家(jiā )的彼德(dé )與卡洛老友重(🎩)逢,生活(🎡)狀況大不同(tóng ),你(nǐ )(🔲)有伴侶我有(yǒu )家(🐖)庭,然(rán )而(ér )都有說不(bú )出的不明(míng )朗,唯有(🐶)以酒(jiǔ )與音(😱)樂代替(tì )口(kǒu )水(⏺)。全片推展不(bú )問目(mù )的,只在剎那間的意圖,行行企企比起科曼(🙂)更(gèng )義(🔝)無反顧,卻有生活(huó )淡如流水的詩意和繆思,叫(🥫)觀(🤷)眾聯想到(🚻)二十年後(hòu )的伊(👺)力.盧(🤳)馬。巴(🕐)薩鍾愛音(yīn )(🧣)樂的(de )程(chéng )度不(bú )(👣)下於(yú )文(🈁)字和(hé )電影,古典音樂與民間音樂於全片迴轉迴盪,難怪成了奇斯(🌼)洛夫斯(📟)基(jī )十大(😝)心愛(🏒)電(diàn )影之一。 康(🤥)城影展青年評(📸)審(🥤)團獎,美國(guó )全(🐞)國影評(🔞)人(🏴)協(xié )會特(🔎)別獎 這部(🔫)1966年的珍(🏓)品,是捷克(👛)新(🕕)浪潮短暫生命(mìng )(🍺)中(zhōng )最佳作品之一。成(chéng )名音(yīn )樂家到小鎮探訪舊同(⛴)學(xué ),舊同(🈺)學是個窮音樂教師,有時在喪禮上(🐱)吹(chuī )奏樂曲。平(⛅)凡的(de )素(💨)材在巴(bā )(🛃)素手裡,變出風趣復罕(hǎn )(🔍)見的旋律,一(🌒)部(bù )憂(yōu )鬱(⛎)的(🏖)喜劇,或(🕌)灰色喜劇(jù )。 - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
Copyright © 2008-2018